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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Edward John Eyre

Hearts of Darkness

Magazine article by Magda Keaney, 2006

The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.

Sir Edward Holden

Promise Fulfilled

Magazine article by Dr Sarah Engledow, 2006

The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.

Part of the crew of His Majesty's Ship Guardian endeavouring to escape in the boats

South-bound and down

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour recounts the story of ill-fated sea voyages in the early stages of the Antipodean colony.

Gloves off (Tom Uren)

Tribute

Tom Uren AC
Magazine article, 2015

Edward Tom Uren AC (1921-2015), former Deputy Leader of the Australian Labor Party, was a major campaigner on environmental and urban-planning issues and rights for veterans.

Edward Paine Butler

Poison pen

Magazine article by Michael Desmond, 2010

Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.

Senator Nancy Buttfield

A Pioneering Life

Magazine article by Lauren Dalla, 2005

During her time in Australian politics, Dame Nancy Buttfield was an impressive advocate for equality for women and was responsible for ending the marriage bar for women in the Public Service.

Lucinda, Tram Driver, 2021 Avraham Vofsi

Observation point

Magazine article by Avraham Vofsi, 2022

For me, portraiture is all about connection. If we can connect deeply to another person’s story, it can be a profoundly moving experience.

Chance meeting, 1940-41 by Martin Lewis

Nocturnal animals

Magazine article by Joanna Gilmour, 2017

Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.

A Sydney family, 1840s

The house, the horse, the wife and the offspring

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.

Introversion from High Jinks in the Hydrangeas, 2020 Tamara Dean

In our nature

Magazine article by Tara James, 2022

Tara James chats with award-winning artist Tamara Dean about portraiture prizes, the environment and the strength of women.

Portrait of Ambrose Patterson

Velasquez Touch

Magazine article by Andrew Sayers AM, 2004

Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.

Jessie Street

Worth her salt

Magazine article by Joanna Gilmour, 2009

Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.

Orlando and Wilson, 2021 Chris Budgeon

People are people

Magazine article by Sandra Bruce, 2022

Sandra Bruce chats with seven-time NPPP finalist Chris Budgeon about photography, guitars and representing the human story.

Margaret Anderson

The line of fire

Magazine article by Michelle Fracaro, 2005

Michelle Fracaro examines the life of World War II nurse Margaret Anderson, whose portrait by Napier Waller is in the NPG collection.

Dr Edward MacMahon, 1959 by William Dobell

Bill and Ted's excellent portrait.

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

Self portrait

Profile of a marriage

Magazine article by Dr Sarah Engledow, 2006

Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency